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★ 托妮·莫里森诺贝尔文学奖获奖代表作

★ 普利策奖最佳小说

★ 美国文学史上的里程碑 ，《纽约时报》“25年来最佳美国小说”第1名！

★ 要么是爱，要么不是。不浓烈的爱根本就不是爱。

★ 一部惊世之作，很难想象没有它的美国文学会是什么样子。——《洛杉矶时报》

黑人女奴塞丝怀着身孕，只身从肯塔基的庄园逃到自由州俄亥俄，奴隶主一路循踪追来。为了使儿女不再重复自己做奴隶的命运，塞丝决然杀了刚刚会爬的幼女宠儿……

十八年后，“宠儿”还魂，重返人间，同塞丝、塞丝的女儿，以及塞丝的情人保罗生活在同一幢房子里。她不但加倍向母亲索取爱，还纠缠和引诱保罗，甚至不择手段地要摧毁母亲的生活。

☆ 宠儿是我的姐姐。我就着妈妈的奶水吞下了她的血。

☆ 宠儿是我的女儿。我以前没有时间解释，因为那事必须当机立断。

☆ 我是宠儿，她是我的。现在，我在这所房子里找到了她。我再也不会失去她了……

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托妮·莫里森（Toni Morrison），美国著名女作家。1931年生于俄亥俄州，曾在兰登书屋担任高级编辑，后赴普林斯顿大学等校任教。代表作有《最蓝的眼睛》《所罗门之歌》《宠儿》《爵士乐》《爱》《恩惠》等，曾获普利策小说奖、美国书评家协会奖、美国国家图书奖等多项大奖。1993年，荣获诺贝尔文学奖。

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白人们认为，不管有没有教养，每一张黑皮肤下都是热带丛林。不能行船的急流，荡来荡去的尖叫的狒狒，沉睡的蛇，觊觎着他们甜蜜的爱人血液的红牙床。从某种意义上讲，他讲，他想，他们说对了。黑人越是花力气说服他们，自己有多么温柔，多么聪明，仁爱，多么有人性，越是耗尽自己向白人证明黑人的某种不容置疑的信念，他们体内的丛林就越是深密、纷乱。但它不是黑人们从另一个（可以忍受的）地方带到这个地方的丛林。它是白人在他们体内栽下的丛林。它生长着。它蔓延着。在生命之中、之间和之后，它蔓延着，直到它最终侵犯了栽下它的白人。

In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it ...

“告诉我，斯坦普。”保罗D的眼睛潮湿了。“就告诉我这一件事一个黒鬼到底该受多少罪？告诉我。多少？”

“能受多少受多少，”斯坦普・沛德说，“能受多少受多少。”

“凭什么？凭什么？凭什么？凭什么？凭什么？”

他只记得，要扒开须子找到顶尖，得用指甲抵在下面，才不至于碰破一粒。

扒下紧裹的叶鞘，撕扯的声音总让她觉得它很疼。

第一层皮一扒下来，其余的就屈服了，玉米穗向他横陈羞涩的排排苞粒，终于一览无余。玉米须多么松散。禁锢的香味多么飞快地四散奔逃。

尽管你用上了所有的牙齿，还有湿乎乎的手指头，你还是说不清，那点简单的乐趣如何令你心旌摇荡。

玉米须多么松散。多么美妙、松散、自由。

A whip of fear broke through the 1 5 5 heart chambers as soon as you saw a Negro’s face in a paper, since the face was not there because the person had a healthy baby, or out- ran a street mob. Nor was it there because the person had been killed, or maimed or caught or burned or jailed or whipped or evicted or stomped or raped or cheated, since that could hardly qualify as news in a newspaper. It would have to be something out of the ordinary—something whitepeople would find interesting, truly different, worth a few minutes of teeth sucking if not gasps.

“Anything dead coming back to life hurts.”

“I was talking about time. It’s so hard for me to believe in it. Some things go. Pass on. Some things just stay. I used to think it was my rememory. You know. Some things you forget. Other things you never do. But it’s not. Places, places are still there. If a house burns down, it’s gone, but the place – the picture of it – it stays, and not just in my rememory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don’t think it, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.”

“Can other people see it?”

“Oh, yes. Oh, yes, yes, yes. Someday you be walking down the road and you hear something or see something goin...

书籍介绍

★ 托妮·莫里森诺贝尔文学奖获奖代表作

★ 普利策奖最佳小说

★ 美国文学史上的里程碑 ，《纽约时报》“25年来最佳美国小说”第1名！

★ 要么是爱，要么不是。不浓烈的爱根本就不是爱。

★ 一部惊世之作，很难想象没有它的美国文学会是什么样子。——《洛杉矶时报》

黑人女奴塞丝怀着身孕，只身从肯塔基的庄园逃到自由州俄亥俄，奴隶主一路循踪追来。为了使儿女不再重复自己做奴隶的命运，塞丝决然杀了刚刚会爬的幼女宠儿……

十八年后，“宠儿”还魂，重返人间，同塞丝、塞丝的女儿，以及塞丝的情人保罗生活在同一幢房子里。她不但加倍向母亲索取爱，还纠缠和引诱保罗，甚至不择手段地要摧毁母亲的生活。

☆ 宠儿是我的姐姐。我就着妈妈的奶水吞下了她的血。

☆ 宠儿是我的女儿。我以前没有时间解释，因为那事必须当机立断。

☆ 我是宠儿，她是我的。现在，我在这所房子里找到了她。我再也不会失去她了……